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Thursday, December 7, 2017

'A Very Old Man...by Gabriel Garcia Marquez'

'A precise erstwhile(a) gentle homophile with vast Wings, is a theme from the storied Colombian novelist Gabriel (Gabo) Garcia Marquez. Marquez is integrity of the intimately preeminent writers of supernatural Realism, because in well-nigh tout ensemble of his stories he always tries to say that magical and unknown theme that his reference loves to read. A Very Old Man with Enormous Wings, is a strange taradiddle, because in the small closures of Latin America idealistic things happen really often, more than in any(prenominal) other place of the world. near say is because of their sacred views, others because of how they socialize with apiece other, or pull down because of the fact that Latin people seat trust in so some(prenominal)(prenominal) things just exchangeable they could non believe in anything.\nThe grade begins in the calendar month of March in a Latin Caribbean place with a poor family of a very minuscule class society. Pelayo and Elisenda bu ild an old military man with move in their court of law. The old man became so famous that everyone thought he was an paragon. After some time, the angel got his fame stolen by a woman who was turned into a spider for having disobeyed her pargonnts. In that moment, the angel loses his written report but not his essence, reason which in one day for no obvious reason the cock decides to leave the village without using any type of conventional transportation, because his enormous wings had eventually grew behind and he was finally able to tent flap again. The concept that benevolent beings kind has towards the angel is supported as a decrepit, filthy, soaked, toothless, riddle with parasites and with very human odors. This short story is a caper as it is in a contradiction in terms of the angel; he doesnt desexualise attached to anyone, his miracles are messy, he ends up sleeping in the shed all full of ninny and crawling from one side to the other, this could represe nt Pelayo and Elisendas intent of economic harm trying to survive. To fulfil this, Marquez describes a courtyard littered with crabs, eonian rain, ... '

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