THE FOLK MUSIC OF CHINA AND THE BALKANS

Although of considerably distinct ethnicity, China and the Balkan states may be thematically united in terms of their struggles to preserve their unique line of products of study identities. Whether against Mongol invasion or Austro-Hungarian autocracy, the need to be a self-determining race in its own right is a jet thread. In both cases, the folk custom in its various(a) manifestations has survived against adversity, and furthermore has beguiled invaders with its beauty. These two genres of folk music be embodiments of a resilience of spirit.         This investigation will concentrate on the study of some examples of Chinese classical music in comparison with Béla Bartóks Concerto For Orchestra. Bartók is known for preserving the Hungarian folk tradition with utmost faithfulness, having collated many recordings of Hungarian folk music and co-ordinated them into his compositions.         An alliance with nature and cultural origins appe ars to be an underlying construe that reconciles the characteristics of both folk musics. Perhaps the most fundamental melodious construct in folk is the pentatonic scale:          oriental person:         gong-shang-jiao-zhi-yu         Western:         do-re-mi-so-la This model appears at the beginning of a hauntingly good-looking song called Gaoshan Luishui (Tall Mountains And Flowing Water): [play extract #1: Gaoshan Luishui]                  Gaoshan Luishui The first exactly a(prenominal) bars of Bartóks Concerto For Orchestra, Movt. I, are besides constructed upon a pentatonic scale: [play ex. #2: Concerto For Orchestra, Mvt I, bb.

1-6]         I - Introduzione scales in ascending give: Gaoshan Luishui         Concerto For Orchestra la-pentatony         mi-pentatony The relative minor/la-pentatony is very baffle in Gaoshan Luishui creating its mournful tone. Furthermore, the rhythmic descriptor appears frequently. The inversion of this presage ( ) is known as a maruntel, a sort of Roumanian dance. This motif appears repeatedly throughout the Concerto For Orchestra, but is particularly frequent in the fifth movement (Finale):          V - Finale                           In ancient times, the Chinese considered music as having some uncreated power . In... If you want to get a full essay, order it on our website: OrderEssay.net

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